A Book by A.Huxley

 [...]the introduction of non-representational forms into naturalistic paintings and sculptures.

What the rest of us see only under the influence of mescalin,

the artist is congenitally equipped to see all the time.

His perception is not limited to what is biologically or socially useful.

A little of the knowledge belonging to Mind at Large oozes past the reducing valve of brain and ego,

into his consciousness.

It is a knowledge of the intrinsic significance of every existent.

For the artist as for the mescalin taker draperies are living

hieroglyphs that stand in some peculiarly expressive way

for the unfathomable mystery of pure being.[...]

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